Unity
Wideband absorber panel
Class A rated certified broadband absorption from 100 Hz to 10 kHz.
Whether you're treating a critical listening room, a live recording space, or a post-production suite, Unity is the panel that ends the compromise between low-frequency control and broadband transparency.
Control your room
Designed and tested to deliver full-spectrum acoustic control, the Unity Wide Band Absorber achieves the highest possible absorption ratings across every standard metric — an NRC of 1.0, an SAA of 1.0, and a weighted absorption coefficient (αw) of 1.0 with a Class A sound absorption classification to BS EN ISO 11654.
Absorption Where It Counts
Most acoustic panels claim broadband performance but fall off sharply below 250 Hz — exactly where room modes and low-mid buildup cause the most damage to critical monitoring. Unity is different.
Independently tested in a 202 m³ reverberation chamber to BS EN ISO 354, Unity delivers absorption coefficients exceeding 1.0 across the entire range from 200 Hz to 5 kHz, with meaningful absorption extending down to 100 Hz (αs = 0.36) and strong low-frequency performance at 125 Hz (αs = 0.65). With a 50 mm air gap, the panel reaches a peak αs of 1.46 at 400 Hz — right in the critical low-mid region where untreated rooms are at their worst.
Built for Real Rooms
At 104 × 64 cm, Unity is sized for flexible placement — first reflection points, rear walls, ceiling clouds, or full-wall arrays. The 95 mm depth keeps the profile manageable, and the recommended 50 mm air gap behind the panel extends low-frequency reach without adding significant depth to the installation.
Panels can be mounted individually or in arrays. The tested configuration of 15 panels in a 5 × 3 grid confirms performance at scale — no edge-effect asterisks, no single-panel lab flattery.
Uncompromising Performance
Unity is designed and hand-built in the EU by Buso Audio. Each unit is constructed in-house using premium acoustic materials selected for consistent, repeatable performance across production runs. The result is a panel that looks and feels as precise as it measures, built to the same standard whether you're ordering two for a vocal booth or thirty for a mix room.
Performance
Sound absorption coefficient test to BS EN ISO 354
| Frequency (Hz) | Unity Acoustic Panel | Product B |
|---|---|---|
| 100 | 0.363198739997139 | |
| 125 | 0.6525727403192 | |
| 160 | 0.859962402200164 | |
| 200 | 1.28754018621185 | |
| 250 | 1.25145788373842 | |
| 315 | 1.37858211947086 | |
| 400 | 1.46107678138356 | |
| 500 | 1.40997588234529 | |
| 630 | 1.37612673892295 | |
| 800 | 1.32863111990229 | |
| 1000 | 1.24579744219206 | |
| 1250 | 1.1788759926064 | |
| 1600 | 1.1734426949317 | |
| 2000 | 1.18559840895611 | |
| 2500 | 1.17595713906363 | |
| 3150 | 1.13815716998433 | |
| 4000 | 1.03004128619011 |
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What Our Customers Say
The layout of the desk means I can keep everything I need within reach without the workspace ever feeling cluttered.
It fits perfectly within the studio and has really become the centerpiece of my workflow. It allows me to keep everything within reach while maintaining a clean working environment.
Efficiency is always important when you’re working on music, and the Producer XL helps greatly; everything is at hand and ergonomically perfect.
I don’t stress the desk will collapse because some of my gear is super heavy. It's really well built.
I'm using the Studio XL. I can put all the hardware I use in the racks and the keyboard tray is perfect, leaving the desk free for other things. It’s just a perfect design.
I looked across North America and nothing fit my vision. Then I discovered Buso — perfect!
The perfect desk for me...The setup and an aesthetic I was searching for…
I could fit a lot of rack gear in front of me, plus a large keyboard.
The Studio XL is the best looking desk out there and it suits my needs perfectly.
My bespoke setup provided me with unprecedented flexibility, order and speed of execution!
I chose the Studio XL because I wanted something future-proof. This one felt like it was made for me.
I wanted a wide desk with space for rack units, but one that was minimal, with space for essential hardware.
The desk for my Audient ASP 4816 is the most ergonomic and functional I could find!
I absolutely love the Producer XL....I've bought it twice!
Design is very cool, quality is dope!
We're using a Studio 61 and an Artist 61 desk. We love the small footprint while still having enough space two Avid S1 and Mixcubes
The Buso Audio API 1608 was the natural fit for us.
With the heavy-duty rails I was finally able to integrate an 88 full weighted keyboard into my studio.
We have six Producer XL desks here at the school. The desks are modern in design, flexible, and priced competitively.
What assured me in my decision to go with Buso Audio was the effortless, informative, and above-and-beyond attitude of their crew.
The Buso desk fits into my mindset by providing a comfortable area to work from.
Tested and certified at London South Bank University.